Just going to type out what I spent my hours at that sentry post working on; during my unfortunate guard shift. It's pretty lengthy, and in unedited form, with parts written as I struggled to remain conscious, so I don't expect anyone to read it in its entirety, or for it to be a good read. Call this a temporary escape from reality, with that blasted portfolio to prepare.
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310312 1822
The sight of birds, hundreds of birds, perched on the roof, beaks to the four poles. These birds lifting off simultaneously, coalescing in a feathery cloud, frantic flapping. It wheels and cavorts in the air, joyously, gracefully, and effortlessly, making its rounds around the spires of the cable antenna, wending through the rooftops, to settle down once again. An airshow exclusive; for my eyes alone.
An ant, impressive once more, strength concealed within its fragile frame, hoisting a winged creature of some sort with its jaws alone, not constrained merely to the horizontal but traveling along the vertical as well, making its gravity-defying way up along the guard house window frame. But with its frame so slight, and the corpse it bears (for it is a corpse, surely) so wispy, maybe its not such a herculean feat afterall.
A spider; an odd-looking one, more so than any I've seen before; not that that says much honestly, skitters across uncharted land. It pauses, occasionally, or maybe frequently, I know not. But even as it pauses, its mandibles work incessantly, moving in frenetic manner, one moment towards what I must presume is its mouth, the next, extending to touch that which it treads upon. What is it doing? I wonder. The movements look a little too deliberate, if a non-sapient creature could ever be accused of being deliberate, to not have a meaning behind them. Setting the foundations for a web, perhaps. And behold, the right foremost limb decides now, to partake in this most curious of activities as well. And yet, as it moves on, continuing its journey, there is no thread.
Why? Why do we use words such as journey? An implied beginning, middle and end; and if not end, then at least an intended destination, for I speak of course, of journeys that never reach completion. A meaning attributed where perhaps whence there was none. Over-compensation, perhaps, like how the deprived adolescent sees and hears innuendo in each thing he encounters. Hence Shang Hsuen’s epiphany, an emphatic declaration “Everything’s a phallic symbol!” way back in Sec 2. A lacking inside, the answer to which we hope to find outside, foolishly assuming that if we but seek hard enough, ask the right questions, that the answer will come eventually. And yet I can’t help but feel that the sensation of lacking only intensifies the harder you search, the longer the search extends, and if you don’t seek, you may never realize something is missing at all.
And still I choose pain. Forlornness over ignorance. The hollow; the mirthless, these laughs are mine, tireless companions on this
journey of mine.
A cat, black as midnight (clichéd?), not-quite-emerald eyes (to turn the cliché on its head), stalks the footsteps of my prowlers as they make their way along their route, path momentarily passing my lonely post. Bad luck stalking their heels? Hope not. Amazingly lithe form though, legs moving in an effortless display of coordination as it leaps forth in bounds, muscles pumping under its fur, black lightning streaking across the field of grass in its pursuit.
And behold, an hour has passed, almost forty minutes, incessant writing, penning down, thoughts to paper. How strange I must look, to an observer, just outside. A green clad man, under cover from the elements, under cover yet he insists on donning that cap. A black watch he wears, rotating his wrist, ever-so-slightly, in degrees, all so frequently, what use would a man have for knowledge of the time so often? In the window he stands, doorway to his back – I call it a doorway but it’s more an opening, really, what’s a doorway without a door, afterall – windows open to his left, right and front; windows open yet down he looks. Rifle, B197, if my eyes don’t fail me, slung around his neck. Carrying a rifle, yet down he looks. A pen he clutches, and with this, he writes, writes about things he sees while looking down, writes about things he thinks about, while thinking about what he writes. What is the meaning of this? How could meaning possibly be attributed to something which itself is used to pass the time while doing something meaningless? The man stops. Has he finally realized his folly? No. Furtive glances around. Reaches into his left pocket and extracts his phone.
And now he resumes his lonely, and very distracted vigil.
To my left, beyond the gate I hold the keys to; have opened and pulled apart, ponderous weight, inertia rendering it both hard to set into motion and arrest; the inbetween being no difficulty at all, beyond that gate lies a sea of green; blue-ish tint cast by the clouded sky above. It’s hard to make out anything in particular, indistinct outlines blend into the approaching darkness. I see dark silhouettes against the blueness of the sky; skeletal, bushy, though even they are soon to vanish, devoured by the dark of night.
A cacophony, a thunderous roar, ridiculous, to think that so many small chirps could accumulate to something so much greater. It erupted, from nowhere, it seems, silence shattered in one moment of concerted noise. I willingly concede though, that perhaps, intent as I was on this meaningless endeavour, I may have subconsciously filtered out the noise.
Dark has fallen, in what seems to be mere moments. The winged creatures have emerged, flittering about on gossamer wings, that look like they’d fall off with the most careless puffs of breath; and indeed did, as I unintentionally discovered, much to my regret. They congregate in numbers, as they are wont to do, around the sources of light, as if seeking solace from the darkness, solace in these bastions of light. Much like myself, as I cower in my sentry post, to be honest. Yet I find myself disinclined towards sharing this outpost of mine with such unruly visitors, who annoy me to no end with the disregard for my personal space in their ill-disciplined flight routes. I turn off the white halogen light, to signal the end of visiting hours.
Now comes a visitor who I take no offence against. Reptilian; padded toes, obsidian eyes glistening, reflecting the street lamps. Abrupt its movements are, limbs flashing momentarily, in a great flurry, seemingly here one moment and there the next, without much passage, if any, through the interim. It doesn’t stay long, a flurry of limbs, and it’s gone again.
And so the second shift ends; with a going in the shadow of a coming, a coming in the shadow of a going, and all of it, it all shrouded in the shadow of purposeless.
010412 0023
And now begins the third. Dark has truly fallen, painting the land a coat of matte black. Street lamps struggle valiantly, and do have some measure of success, in collective effort, but strain futilely against the peripheral darkness, impenetrable to their greatest efforts. Rocky Hill Camp, I must imagine, a luminescent pearl amidst the darkness, as I imagine, is Ladang Camp. And between them, Tekong Highway, 2x street lamps erect on either side, silent sentinels along the entire stretch, or so I am led to believe, the shimmering thread connecting them, in this dark of night which carpets the land. All this I imagine, postulate, for I have not been graced with an aerial view, at night, and never shall. Postulations, handwavings in the air are thus all I have to offer you, which, if you but take the time to ponder upon, can’t help but wonder if those are all the halls of academia have to offer as well.
The winged creatures of yesternight have retired; for good or temporarily I know not, and care not, save being able to say with certainty that they are no longer here; no longer pestering my person so. My sentry post is bright, once again, and I am at ease, as much as a man in my predicament could possibly be at ease, anyways. Idle wondering. Those winged creatures, did they really do wrong? All they sought was solace in the light, solace in each others’ company, as they clustered and milled around. Their fragile, short-lived existences – for though I know not the exact fate of the ones milling about that particular lamppost, I know, at least, the fate of those I saw, eyes irresistibly drawn to, really, struggling on the basin top in the guardhouse toilet, struggling in what I deem to be their death throes – which could not, would not outlive the night. Did they really do any wrong? And now, not a trace has their being left, besides some minor annoyance to be washed away, look of disgust painted upon face whilst doing so. Perhaps, there is meaning to be found, meaning of the most primal sort, as the mate in the light, each generation a testament to that which came before, and they a testament to that which came before that. An organic will passed through the ages, a living testimonial to the existence of their forefathers. But even that is insufficient for me! When the earth finally terminates its orbit in the sun, and all upon it turns to ash along with it, what then? When the Wheel of Time finally, well and truly, grinds to a halt, having ground itself down to pieces, and those pieces ground themselves even finer, and so on, till naught is left, what then? What of this living testimonial then? Anyways, to have been on this planet from XXXX to XXXX is not the kind of legacy I’d want to leave behind, or be remembered for, accounting, of course, for the frailties of human memory which I shall not delve into at this point of time. Are we to be satisfied with this? Is this its meaning in full? The here&now, revelling in the light among multitudes, cowering alone in the dark in solitude, the flavours, distinct flavours, of these moments, replayed over and over, ad infinitum, a cassette player set on repeat, till the tape inevitably wears down and breaks. The answer is beyond me, has always been, will ever be, so it seems, will always lie beyond the confines of this impenetrable sphere of reality, which defies even my most valiant of attempts to pierce, to discern the nature of reality not as an agent of it, but as an observer would, from the exterior.
I tire now, of this thinking and writing, writing and thinking, so I think I shall think and not write, or write and not think; as I think about writing about not thinking, or write about thinking about not writing.
The night is quiet, human traffic minimal. Guttural grunts from the dark outside, of frog or boar or something else entirely, I know not. There is much I do not know, that I know, and can say with much certainty. Insects chirp, a night orchestra, and I am at peace. Even now, the feathered ones persist in their calling, though much more muted, then before, and I am at peace. A little tired, true, but peacefully so. I acknowledge the meaninglessness of this activity, so anything I can take away, the most minute of impressions, of the warm orange glow cast about the camp; rays of light appearing to my bleary eyes, of the play of light on tree, gentle shadows cast, all around, of everything I have noted herein, and everything I have observed without, all a boon to me. And presto! I have created something, from nothing, working the most wondrous magick of all. And when I get back I will type this, and you will read this, and sparks are created, once again, the striking of flint against metal, sparks in the mind. Whether a fire ignites, something truly lasting, that which lies beyond the material, in the realm of spirit, that I cannot say; will not say. But the sparking is enough, for me, here&now, as the green clad man writes in the little yellow book, the material melded seamlessly with that which is plucked out of the air, melded seamlessly and transcribed, tirelessly, left hand clutching the pen, the conduit which makes it all possible, ink flowing to paper, order given, meaning invoked, and where there once was a clean meshwork of cellulose fibres and coloured fluid packed uniformly into a tube; the fluid now lies enmeshed in the fibre; no, no, it is so much more, the whole greater, much greater than the sum of its component parts.
An outburst, the breaking of a dam, and now, after what seems like an eternity, gushing forth, yet can’t have been, as the watch invariably shows, finally, the pen rests, the paper rests, but the green clad man does not rest, no; the man – and I no longer shy from using the word “man”, after BMT – the man, he continues his lonely, not as distracted vigil.
And the last shift nears its end, as the yellow book, light yet heavy, laden with hours’ exertion and dreams, is kept, safely and securely, once again. And there is a going in the shadow of a coming, a coming in the shadow of a going, and in it all, whilst the shadow of purposelessness lingers, the go-er is content.
